![]() In illustrations by Coles Phillips, gold-digger women were usually depicted in 1920s illustrations surrounded by minuscule men, who she manipulates to her advantage. The figure of the gold-digger, on the other hand, reflected American anxieties about women’s newly found independence. ![]() Christy and Fisher Girl illustrations appeared highly supportive of women’s education, yet still depicted the underlying expectation that the female college graduate would marry. ![]() According to Kitch, previous Progressive-era depictions of femininity in magazines was both negative and positive. As Carolyn Kitch argues in The Girl on the Magazine Cover: The Origins of Visual Stereotypes in American Mass Media, the flapper figure could be distinguished from depictions of the Progressive-era New Woman by her adolescent innocence and her eventual marriage to the right man. She smokes, drinks, dances, and openly engages with men. The flapper is characterized as an adolescent-like woman who lives freely. Probably the most infamous form of femininity from the 1920s is the flapper.
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